Mirror Mirror is a book of poems. You read each poem, then you read each poem again backwards. You read each line but in reverse order. It’s amazing and hard to believe, but both poems work. This seems unbelievably difficult to me. To make it even more complicated, each poem tells the story of a classic fairy tale…when you read the poem in one direction, it is from one character’s point of view and when you read the poem backwards it is from another character’s point of view. I have no idea how the author managed to do this. It’s word brilliant. Major word skills. Each poem is like a word puzzle in the same way soduku is a number puzzle. THEN, to make it even better, the illustrator made the pictures the same way.
I gave this a try using Grover and Tyson from the Percy Jackson books. It’s lame, four lines, but hey, I’m a beginner.
Together til the end Percy is my friend And now Brothers in arms
See, if you read it from top to bottom it’s about Grover. Percy is his friend at school before Percy knows he’s a demi-god, but then they become brothers in arms in the war against Kronos. If you read the lines in reverse, it’s about Tyson. Tyson and Percy are Brothers in arms first fighting their way back into to camp half-blood. It’s only later that they become friends.
It kinda works. Trying it shows you how hard this is. You have to consider each line and how it will work for the two different points of view. And mine doesn’t even rhyme or anything. Marilyn Singer’s poems have everything: the poems flow right, the rhyming is right, the poems make total sense read both ways. Really. How in the world did she do this? Amazing.
This is the story of Elizabth Keckley, a slave who became a free woman and a business owner as well as the favored dressmake of Mary Todd Lincoln – President Lincoln’s wife.
Her story begins on a plantation in Virginia. Elizabeth was only four years old when she was given the job of taking care of her mistress’s brand new baby. She was so excited to take care of the pretty baby that she rocked the cradle a little too hard and the baby fell out onto the floor. She was whipped for that…a four year-old! And that whipping would not be her last. Elizabeth had a very hard life as a slave. It’s a wonder she even survived, let alone growing up to be a free woman and the owner of her own business.
Elizabeth’s mom was a gifted seamstress and she taught Elizabeth how to sew. Their master would hire Elizabeth out to other ladies in St. Louis who wanted pretty dresses. One of those clients loaned Elizabeth the money to buy her own freedom. Elizabeth moved to Washington DC and was soon sewing dresses for famous wives – Mrs. Robert E. Lee and Mrs. Jefferson Davis. It was only a matter of time before her dresses caught the eye of Mrs. Lincoln.
That’s when the story gets really intersting. It is the tale of two very different women in very different circumstances who manage to carve our a friendship in the oddest of circumstances. Mary Lincoln didn’t just need pretty dresses, she needed a friend.
Maritcha Reymond Lyon was born in the mid-1800s. Her family was free but still had to deal with discrimination and injustices that put obstacles in their path to success. When Maritcha was a teenager one of those obstacles was that fact that she could not go to the all-white high school. It was the only high school in her town, Providence, Rhode Island. Maritcha and her family made the bold decision to sue the state so that Marticha could go to high school. Maritcha was black, and a girl too – two things that many people of her time would have said made it a waste of time for her to go to high school. Maritcha proved them all wrong and went on to become a teacher and school principal in New York City. Author: Tonya Bolden
I don’t know about you, but when I think about black kids fighting to integrate public schools, I think of names like Ruby Bridges and the Little Rock Nine…but these kids fought there fight in the 1960s…not the 1860s!!
Think about that – Maritcha fought her battle almost a hundred years before these other students. That goes to show you that school integration took a very, very long time. The timing also depended on which state and in what part of the country a student lived. Maritcha lived in the North, Ruby Bridges and the Little Rock Nine lived in the South. It took the South much longer to have integrated schools.
About the time Maritcha was fighting to attend high school in Rhode Island, black kids in Indiana were just getting a school. The Leora Brown School opened in Corydon, Indiana in 1891 as the Corydon Colored School. The Corydon Colored School graduated its first class of students on May 14, 1897. Leora Brown, a former student who graduated in 1923, returned to the school as a teacher in 1924 after having attended Miss Blaker’s Teachers College in Indianapolis. One year after Brown’s arrival at the Corydon Colored School, the school’s high-school-age black students were integrated into Corydon High School which was previously attended by white students only. The Corydon Colored School, however, remained open until 1950, when the grade schools were integrated.
The Sweethearts of Rhythm were a real all girl band that traveled around the country in the 1930s and 1940s. The band was unusual because it was all girls and because it was integrated.
One reason the girls got this chance is World War II. A lot of men were fighting in the war so it was easier for a girl band to get gigs. Once they did, then they became popular because they were so good.
Sometimes the band had trouble because it was integrated. When the band played in the South they had to sleep on their tour bus because it was illegal there for black and white people to be in the same restaurant or hotel. Sometimes the girls had to wear disguises to hide the fact that their skin color was not all the same.
The author tells the story of the Sweethearts in poems and she uses the rhythms of jazz music in her poetry. It’s not like reading a book of facts. Read the poems, look at the great pictures and then don’t forget to read the author’s note in the back. That part will give you the facts about the Sweethearts of Rhythm. Author: Marilyn Nelson
From the 1870s to the 1950s, Indiana Avenue in Indianapolis served as the focal point of Indianapolis’s black community. Originally called Indiana Street, the Avenue begins at the intersection of Illinois and Ohio Streets and extends northwest. While the Avenue was originally settled by German and Irish immigrants, by 1870 one-third of Indianapolis’s black population lived near Indiana Avenue. The black population in Indianapolis surged in the early 1900s as blacks migrated to the city from the South.
The Indiana Avenue businesses included restaurants, saloons, grocery stores, clothing stores, hair stylists, barber shops, a hotel, and more. Some of the most famous businesses on the Avenue were the Indianapolis Recorder (a black newspaper) and the Walker Building (which housed a casino and theatre, offices, a beauty college, drugstore, and restaurant.) In the 1930s, the Avenue’s businesses were focused on food and entertainment. By 1940 there were more than twenty-five jazz clubs on the Avenue where both national talent and local legends played. I wonder if the Sweethearts of Rhythm ever played there?
This is the story of a young African-American boy who grew up in Indianapolis over a hundred years ago. Despite living at a time when African-Americans were often denied basic rights, Marshall Taylor became a world champion cyclist.
Marshall earned the nickname “Major” when he performed bicycle tricks as a very young boy dressed in a military style costume. When he was a teenager he stopped performing tricks and moved on to bicycle racing – and he was really, really good – world champion good! His story is inspiring because he persevered even when there were many people who didn’t want him to even be in a race, let alone win, just because he was African-American. Sometimes he rode fast just to get away from angry people chasing him! Author: Marlene Targ Brill
In Indianapolis, we have the Major Taylor Velodrome, a world-class bicycle racing track named for this cycling great. You can ride your bike and also use inline skates at the Velodrome. If you want to try riding there, it’s best if you are at least 10 years old. Call ahead and see if you can arrange a time to go try it out. And don’t forget your helmet! 3649 Cold Spring Rd., Indianapolis, IN 46222 Velodrome Phone: 317-327-8356